I get many e-mails weekly from artists and groups asking
me about distribution. They say "We have a band and we're playing
locally and getting good crowds and we sell our CD at gigs. We started
our own label and need to get distribution so we can sell in all the stores.
How can we do that?"
The odds are that you cannot afford to have distribution. Let me explain
why...
Most inexperienced folks believe that a distributor is the pipeline to
the people. In theory it is, but in practice it is not. A distribution
company is only as good as the record companies promotional power. Yes
it is important to get your CD in the store, but it is much more important
to get your CD OUT of that store. It's as much the record companies job
to do that as it is retail's. A distributor can only try its hardest to
convince a retail store to take your CD. To secure shelf space a record
company needs to present all its marketing commitments (and honor them)
so retail stays confident that it can shift units.
Let's face it, record stores are saturated with product. Why on earth
would a store take a CD if it isn't sure it will get sold. The kind of
things that retail needs to see if it is to readily accept your product
is:
- Radio Play
If a single is being worked at radio (through an independent radio
promoter) and getting spins, this might be enough to convince a store
in that neighborhood to take your record. The amount of demand for
the record will determine the amount of units the store takes.
- Retail Price And Positioning
Visibility in a record store is everything! If you were to buy an
"end cap" (those displays at the end of an aisle), or a
month on a listening station, or rack display, this is enough to attract
the attention of a store. However, it has become increasingly competetive
even when you pay for this!
- Touring
Playing live shows can help create a demand for a CD and this of course
is key.
All labels have what they call a "one sheet" - a hand out
sheet with bullet points outlining their marketing strategies and promotional
commitments. This is the first step, but then those commitments have
to be met. These commitments are extremely expensive.
If a label refuses to spend promotional money on their act a number
of things can result;
1) The CDs remain in the store buried amongst the thousands of others
waiting to be found.
2) The CDs after a matter of weeks, get returned to the record label.
3) The record store takes less units from the same artist's next
CD, often refusing to stock it altogether.
The last point is interesting. A brand new artist can generate much
more excitement in the retail marketplace than an artist with a failed
record. The label with the new artist, providing they stump up their
promotional dollars and have a good several weeks at radio before they
go to retail, can distribute a good amount of units in the marketplace.
The artist with a previous record that "bombed" however, will
need to do a good deal more convincing in order to get the stores to
take more product.
So my big question is; "Can you afford distribution?".
To get a record in every store via a reputable distributor immediately
puts you in competition with major labels who have gobs of promotional
money they can drop if they need to.
My advice for independent artists is to localise. By all means try to
get your CD in retail stores, but do it yourself. Strike up a relationship
with the store buyer and offer your CDs on consignment. Don't give them
any risk. When you do gigs in that neighborhood make a point of telling
your audience that they can buy your CD in such and such store (even
if you sell CDs at your gigs!)
Do what you can to get some radio play in that area too. This, along
with your live shows, might create a certain amount of demand to shift
enough units for each retail store to take you seriously and want to
continue to support you. From time to time record stores will do "in
store appearances" with independent artists and this will allow
you to build a stronger relationship with a store, and sell a few units.
In a perfect world that store may even add your disc to a listening
station for a month to help generate some business. I have seen this
happen many many times. They understand that it costs labels thousands
of dollars to do this and that indies are operating on a shoestring.
They very often want to help if they believe in a band.
Having said this, retail pretty much wants to deal only with distributors
and labels. However, they will support a new artist if they like them.
Walk into your local store and ask to speak to the buyer. Give him your
CD, be nice and see what happens.
Remember, don't just think about getting your CD IN the store,
think about how you might get it OUT!
