About the author Chris Standring

Jazz Guitar Lessons

Play Jazz Guitar.com

Play What You Hear - the complete home study jazz guitar improv course

  • Learn to play anything you hear
  • Total musical freedom
  • Advanced harmonic concepts
  • No musical restrictions
  • Free yourself from bad habits
  • Learn a new vast jazz vocabulary in a short space of time
  • Understand be-bop
  • Play endless melody
  • Trust your ears not your eyes!
  • Study jazz standard chord progressions
  • Practice to mp3 backing tracks


    CLICK HERE to find out more
 


Read all about the great Jazz Guitarists here:


Bill Frisell
Charlie Christian

Django Reinhardt
George Benson
George Van Eps
Grant Green
Jim Hall
Joe Pass
John Scofield
Kenny Burrell
Larry Carlton
Lee Ritenour
Pat Martino
Pat Metheny
Tal Farlow
Wes Montgomery


 


 

 

 

 

 



 

 

 

 
Welcome!
  • Are you a guitarist who has played for some time and feel you are ready to get to the next level of proficiency?
  • Are you fascinated with guitarists who seem to have a fluency with no restrictions?
  • Are you in a musical rut and want to find something to steer you in a new direction?
  • If so, welcome to playjazzguitar.com. This site is for you and for you alone...

It's a whole new approach...

Hi. I'm Chris Standring. I am a jazz recording artist, presently signed to Instinct records with a couple of successful records on my hands, and frankly looking forward to having many more. I set up this site because in my reasonably long tenure as a jazz guitarist I see few books that effectively communicate how to approach the concept of teaching jazz guitar. I wanted to put together a course that was effective, understandable and practical. That is not to say that jazz guitar is something that can be taught and learned easily. Far from it. I wanted to put something together that could be studied at home, along with the advantages of new technology and a system that not only works effectively but appeals to those that are looking to work hard and thoroughly.

I am talking about a new method entitled: "Play What You Hear- a unique, complete home study course for the improvising jazz guitarist."

The idea is simple. Great musicians can pull a melody out of a hat and run with it. They can very often hear a song and translate it to their instrument immediately. They have no restrictions at all. Guitar players on the other hand tend to play by shapes and patterns, thereby restricting their aural facility and resigning their vocabulary to a small library of rehearsed shapes, licks and patterns. Whilst this is all well and good, wouldn't you like to break out of this cage and open yourself up to a new level of musical freedom?

You don't have to un-learn. All the cool licks you have ever learned up until now have a definite place in your musical vocabulary and should not go ignored. I am talking about a new world of musical facility however. The highest level. With this home study course you can, in your own time, teach your fingers to obey what your ear tells you - all in a relatively short space of time. Can you imagine how fulfilling this would be?

You will learn how to play melodies, absolutely anywhere on the guitar fretboard, without even having to look at the guitar neck! You will learn to recognize sounds against simple and complex harmonies and learn how to avoid wrong notes and stress strong sounds. You will learn fretboard harmony so you can "see" things on the fretboard that you have not seen before. You will learn melodic patterns relating to all chords, in all positions and in all keys. You will learn to play the most advanced jazz chords without having to learn 6 billion shapes. You will learn a whole new vocabulary and have enough instruction to last you the next 15 years, I guarantee!

Why do I know this to be true? because I have spent the last 20 years in many many different musical situations, be it following a conductor in a broadway style musical, to reading the heaviest chart on a hollywood recording session, to performing in front of thousands of people with my own contemporary jazz group. Every musical situation has always been different and I always wished I could have somehow prepared for each one just a little bit better. What I have put together is a course that I wished I had studied all those years ago. It is essentially a book of experience, an essential document for all guitarists wanting inside secrets into the world of jazz guitar.

Imagine taking jazz guitar lessons with a private teacher every week for 15 years . Let's say you spend fifty bucks for a private lesson. Let's say you take 40 lessons a year, that's two grand a year spent in tuition fees. Multiply that by 15 years and you have spent $30,000. That's a great deal of money. That's also money well spent I happen to think. But what if I told you I could give you 15 years worth of instruction, at the highest level, for the price of just one of those private lessons. Would that be worth it to you?

CLICK HERE FOR MORE INFO


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